Short stories shot by four different directors on 8 mm film. The first story by Dmitry Ryabikov is a real field test for a feature which was done as experimental film about the Creation of the World. The second story is an action short by Dorji Galsanov about problems and understanding between two friends. The third one from Anton Bilzho, a teaser for upcoming thriller, is about love to invisible creature. And the fourth story by Anton Sokolov is about love to aliens - a logical final of all parts.

Even big stars need to stand in front of the director and audition for their roles, and some of the best screen tests are from the early years of legends. See some of Hollywood's top names and greatest talents in their very first appearances on celluloid. From Dustin Hoffman's 1966 stock and personality tests to Raquel Welch and James Coburn cavorting for Our Man Flint, from The Three Stooges to Rock Hudson, see stars trying to get on film.

Even big stars need to stand in front of the director and audition for their roles, and some of the best screen tests are from the early years of legends. See some of Hollywood's top names and greatest talents in their very first appearances on celluloid. From Dustin Hoffman's 1966 stock and personality tests to Raquel Welch and James Coburn cavorting for Our Man Flint, from The Three Stooges to Rock Hudson, see stars trying to get on film.

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3巻目となる「Progressive巻」ではこのすべての不条理の原点となるスト-リーを完全OVAとしてリリースいたします。

3巻目となる「Progressive巻」ではこのすべての不条理の原点となるスト-リーを完全OVAとしてリリースいたします。

We don't have an overview translated in English. Help us expand our database by adding one.

1609, Basque Country. From a long line of abortionist-healers, three sisters find their lives endangered by the arrival of Judge Pierre De Lancre in the region. Hostile and terrified of women's freedom and knowledge, he leads one of the deadliest witch hunts in France. Plunged into a nightmare, the three sisters find themselves struggling, each in their own way, to survive...

暂无英文版的简介，请添加内容帮助我们完善数据库。

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.